《樂恨歌》：一首仿〈長恨歌〉體的音樂敘事詩
榆树市中医院，中国（ Yushu City Traditional Chinese Medicine Hospital, China）
Abstract
中文
本詩仿作白居易《長恨歌》的敘事風格，虛構並重構了中國古代宮廷音樂的發展軌跡。詩中援引如《霓裳羽衣》《清商》等歷史樂曲，並描繪琴、琵琶等樂器的演奏意象，試圖以詩意方式再現失落的音樂場景。透過唐詩音韻、節奏與修辭結構的運用，詩作模糊了文學創作與音樂史敘述之間的界線，並引導讀者反思聲音遺產的脆弱性，以及傳統音樂在時間流轉中被記憶、遺忘與再現的方式。
English
This poem, composed in the narrative style of Bai Juyi’s “Chang Hen Ge,” engages with the imagined trajectory of court music in imperial China. Through evocations of instruments such as the qin and pipa, references to historic repertoires like “Nishang Yuyi” and “Qingshang,” and a lyrical reconstruction of lost performances, the work reflects on how music mediates power, emotion, and memory. By adopting the tonal, rhythmic, and rhetorical devices of Tang poetry, the piece blurs the boundaries between literary creation and music historiography. The poem invites reflection on the fragility of sonic heritage and the ways in which traditional music is remembered, forgotten, and reanimated across time.
Keywords:
宮廷音樂; 詩與聲音; 文化記憶; 音樂敘事; 唐代風格模仿; Court Music; Poetry and Sound; Cultural Memory; Musical Narrative; Tang-style ImitationCopyright Notice & License:
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